Category: Long Form

longer poems and multi-page poetry from South African poet, Richard Fox

  • No Way Out


    No Way out. Exit through Oxford Circus.
    Round and Round/ in for a penny
    Exit through
    Leicester Square Paddington
    St Pancras – exit through the back of your head
    on a Thursday, of all places.

    Silent dogfight. Children of the Worm. The knives come out at night
    the knaves are faeries, the queen’s a bitch. Spread all across the world
    is her litter, gathered slowly back into the British Museum
    to steep, like tea. 

    For me to come to rest in such a time and space I would need to spin
    like a giant clustered engine holding all my insides tight
    everything I own very close
    and let it all out very fast
    in a violent exaggerated swing
    of the arms
    a dizzying christ in product-haze
    a platter of worth that hovers in server-cloud
    somewhat poised above the ground as film
    the negatives in after-burn.

    For me to come to rest, to find a way in – there is no way in. 

    Virtually everyone here is owned. Tinfoil on the steeple towers.
    The fingers of rowers blistered to bone.
    Immigrants and labourers
    the whole wide world, once plundered, now throned.
     
    Virtually everyone here is owned. Dethroned. On a daily basis
    you could travel without moving as the rest of the planet
    spins around you like a top.

    Like a 15th Century Priest carrying the Voice of the Sun
    in his breast. Like a destroyer
    sailing up the Thames
    the runes of a lesser city would have
    settled, as serbian killing fields, cambodian killing fields,
    ice upon mud upon ice upon bone,
    have done and be done

    in the ashes and hitler’s vice, but this is not the case
    nor the time nor the place. Face against the glass
    and a girl blowing kisses.

    Here come the Bastards to the Royal Albert Hall;
    first insertion into trappist monasteries.
    Beer garden dreams –

    aboveground googlemaps/ underground signalblackout,
    the wind before the train, the deadstare of strangers,

    smartphones, newspapers, kindles.
    A city built on flames,
    in tunnels.  

    No Way out. How many bankers does it take to plug an oil well?
    Not very many. About 5. If you insert them just so.

    The Queens Route is not the trade route, is not the spice route
    is not the slave trade, is not the hatching of globalisation
    following the french and american revolution.
    No, each morning she plants the same piece of ass
    on the same rattan chair and starts the oily cogs
    again, the parsimonious negotiations, acquiesces
    new world arbitrations while her sons and grandsons
    and vassals dither gathering coin and tossers.

    Penal detention codes come in many guises
    acts of salary destruction / what a world in which to live
    virtually, periodically. Piccadilly.
    Burger King. Watch the caged bird
    sing in silence, the lesser corruptions
    Exit through another manic station…
    capricious shoppers /

    It goes deeper than that.
    To the primal fear.
    To the core.

    It’s not as if you’re the last man on the midnight meat train
    It goes further than that.
    Much further.

    Your chances of escape have been reduced to:
    nought. Zero. 

    You could spend your entire life moving round in circles,
    hamsters on a string swinging in long forgotten
    childhood closets

    And you would never know, traveling as you do,
    all over the world and nowhere. Nothing.
    Nada.

    The primal fear.
    The core.

    No way out. Exit through the birth channel. Exit through the trees.
    Exit through the knees of your mother into the shadowy eclipse
    glimpsed once before and reduced to nought. Zip. Zilch.
    Filth.

    It’s in the wind that suddenly hammers down the chute
    carrying memories and dust from above the ground
    the wind that is slowly inexorably reeled
    back beneath the wheels.
    Whether you get in, get out,
    there’s no way out.

    There is the endless reeling forever
    chasing the darkness
    and chasing the cause
    the prime number – the door.

    Exit through the rear of the building;
    exit clean through the middle.
     
    And the search continues – the search for worth
    for first
    for last chances that have been
    inevitably reduced, all to nought
    to nothing. To this.

    People filter you out. When there’s no way out.
    People stare right through you.
    Not to the otherside
    no such grander scheme exists.
    Instead they see the anterior wall that holds
    their dreams and wants and needs in check
    the darker recesses of our greater fears
    our primal cores sans batteries.

    A black plate from which all the real and possible
    feasts of the world
    have been insistently removed.

    And we see in the surface a mirror of the self, sans appetite
    sans direction
    comic sans the gaiety
    reason sans the voice. A circus of the self
    for the shopping spiral to enact paths
    no consumer consensus could readily reflect
    no marketing method encapsulate
    no budget or method contain.
    Self or otherwise. The otherworldly serf.

    No Way out.
    Exit through Oxford Circus.
    Round and Round/ in for a penny
    Exit through Leicester Square
    Paddington
    St Pancras.
    Exit through
    the back of your head
    on a Thursday,
    of all places.